Tuesday, March 5, 2019
Gone with the Wind Essay
gone(p) with the Wind is a video based on Margaret Mitchells book with the same title. label as one of the most memorable delight in stories in Ameri buns hi tosh, Gone with the Wind is non further a story of love between Scarlett O Hara and Rhett Butler but is also a story of a womans struggle to keep her family alive through and through years of war. Set against the American polished fight, the need is mainly influenced by the events of that cadence. We get a glimpse of the social structures of the 1800s and of the roles expected of women at that time. B. MEDIAThe fill, scorn its historical background, is more of a dramatic manifestation quite than a documentary of the events during the American Civil War. Done in Technicolor, the film features theatrical music with a touch of country to go substantially with the Atlanta and Jonesboro settings. The music was mostly passively used in the background, segued to direct change of scenes. However, thither were some scenes when music was an integral part, enhancing the emotions and actions depicted in the film. Being a really old film, Gone with the Wind does not have the special effects that movies nowadays have.It is, however, effective in recreating the Civil War and making the viewers feel what it would have been like to be in that situation. Explosions and gunfire were used to reestablish the films setting. Shots were very(prenominal) conventional, using wide shots to establish a scene and close-ups to enhance ablaze integrity. Gone with the Wind, featuring mostly Southern characters, includes a plethora of characters speaking with a Southern drawl. The language was mostly contemporary, with a few slang usages here and there.Hats off to the well-known actors such as Clark Gable (Rhett Butler), Vivien Leigh (Scarlett OHara), Leslie Howard (Ashley Wilkes), and Olivia de Havilland (Melanie Hamilton) for twist off the characters originally designed by Margaret Mitchell. They were excellent actors and they gave life to characters recreated in this screenplay by Sidney Howard, though the story was flavorful enough that it can be portrayed by anyone with good acting skills. Featuring well-known actors, though, helped promote the film and possibly helped in raking in big money for the producer David O. Selznick. C. gistThe film offered abundant source of memorable scenes. In one of the precedent scenes, we see Mammy helping Scarlett get ready for the Wilkess cook out party. Instead of a grumpy, complaining slave, Mammy seem to be in high spirits and just happy helping out the O Hara sisters. though this highlights the sad social structure existent at the time of the movie, Mammys lovesome hold on Scarlett and her dont give me nonsense approach to Scarletts usually hard-to-resist charms show how despite the racial structure of the times African-Americans play an integral role in the American household.However, in another scene, African-Americans were depicted in a negative ly charged way. When Melanie Hamilton was about to give birth, Prissy lets it slip that she is knowledgeable in midwifery. At a crucial point of the childbirth though, Prissy panics and admits, Lawzy, we got to have a doctor. I dont know nothin bout birthin babies. This is eye-catching in the sense that is glorifies one of the stereotypes associated to African-Americans. The way Scarlett O Hara acts is also often a point of contention in the movie.Though shown as a strong woman who was able to carry her family through bad times, Scarlett was also shown to be clingy and desperate in most scenes. This was most apparent during the Wilkess party, when she choreographed the wholly afternoon to catch Ashleys attention. In all the scenes mentioned, the main fare revolved around racial, social, and cultural boundaries. The scenes depicted how far along social rules were during the setting of the movie.Though often criticized for being too leaning on stereotypical portrayals, Gone with t he Wind still is very much a picture of the truth of that existed back then. D. BIAS Victor Fleming, the credited director of Gone with the Wind, was mostly an action film director and had his first go along at romantic drama with the film in discussion. One cannot say, though, that whatsoever biases the film had been his fault. Gone with the Wind is mostly producer-driven and Fleming may only have marginal influence on the films outcome.And since the film was highly-based on the novel, the biases can be attributed to what Margaret Mitchell wrote. (Myrick 126) E. EFFECTIVENESS / HISTORICAL CONTEXT Though very different from films that most of us are used to nowadays, Gone with the Wind was very effective in evoking the emotions it aimed for. The compounding of the restructuring of the Civil War and the powerful acting accounts for the films effectiveness. The combination of both irrefutable its basis on a historical fact also points to why the film was very profitable.Every A merican knows of the horrors that the Civil War brought us and the films effective depiction of this point in memorial made everyone love the film more. All in all, the film with its combination of a moving plot, powerful cast, and good filming was worth a watch. Though mostly dramatic than historical, anyone who wants to relive the Civil War can give this movie a shot. WORKS CITED Myrick, Susan. White Columns in Hollywood Reports from the GWTW Sets. Macon, Georgia Mercer University Press, 1982.